Mannheims creative industry is mainly focused on music, fashion and design. With the two design festivals UNCOVER and CAPTCHA, the design field has been in an especially dynamic process of development. This years edition of CAPTCHA takes place from September 3 to 16, and will become a hotspot for young designers from all around the globe.
For more than two years, photographers Rainer Diehl and Daniel Lukac from Mannheim, have documented the construction process of the new Kunsthalle Mannheim …
Vom 6. Oktober bis 7. Dezember haben 30 Teams die Gelegenheit durch Mentoring und Feedback von Kunden, Unternehmern, Experten und Investoren ihr Startup entscheidend voranzubringen …
Gabriel Franz Trauth and Marcel Hofmann have founded the Trauth Fabrikate label, that has dedicated itself to developing and producing modern workwear. We met up with Gabriel and Marcel to ask why they set up shop in Mannheim, and nowhere else.
Get ready for UX-DAY in Mannheim! In the tenth year of its existence, taking place from October 9th until October 11th.
His first startup didn’t work out, but his second attempt kicked off a successful career as a business angel. With his Good Brands AG Mannheim resident Matthias Storch invests in good ideas and brands — but he just can’t stop starting up himself. We met the man in the concept store of his lifestyle brand BUTIQ in Quartier Q 6 Q 7, to sit down for an interview, and talked about the thin line between success and failure, pesky elevator pitches, and how Mannheim is ahead of other start-up cities such as Berlin.
With the start-up Monomer Thomas Mrokon, a classically trained architect and designer, has revolutionized jewelry design. Using state-of-the-art 3D printing technology and CAD-software his team create intricate pieces unthinkable in traditional goldsmithing.
The Startup Lounge in Café L3 is going to kick off 2017 with a special startup lounge to find and award the winner or the MCEI Seed Award!
The film producers Simone Wendel and Mario A. Conte from Projekt Gold have captured Carolin Wanitzek’s work.